Book a trip to the Centre Pompidou in Paris this summer. ( Log Out /  PDF Bernard Tschumi Parc De La Villette winning project noted for its architecture and new strategy of urban organization, La Villette has become known as an unprecedented type of park, one based on “culture” rather than “nature.” Parc De La Villette - Bernard Tschumi Architects Parc de La Villette in Paris, France, by Bernard Tschumi The Parc de la Villette in Paris, France, dramatically expanded ideas of what an urban park could be. Best regards! Designed by Bernard Tschumi, the park is inspired by the post-modernist architectural ideas of deconstructionism. Landscaping, spatial and programmatic sequences in the park were used to produce sites of alternative social practice that challenged the expected use values usually reinforced by a large urban park in Paris. His thoughts on disjunction led to the design of the Parc de la Villette in Paris, in which he won a competition for construction in 1983. Best regards, Your email address will not be published. Architect: Bernard Tschumi. The Parc de la Villette has a collection of ten themed gardens. His thoughts on disjunc… The design principle for the park was to mark the vision of an era and to embody the future economic and cultural development of Paris. The vast expanse of the park encourages freedom, exploration, and discovery. Location: Paris. Its role is recreational, and just as at the office party the errand boy becomes the boss, so in the park the rules can be invented or perverted. The influence of the Constructivists is apparent in the formal qualities of the Parc and Tschumi’s desire to upset the traditional aspects of architecture, though he is never explicit of this influence. When separated these grids are rational however, when placed on top of one another they intersect a multitude of times creating pockets of densities destroying the regularity of the grids. Vacheron Constantin 2 Geneva, 2012-2014 Bernard Tschumi… Change ), You are commenting using your Twitter account. Architect and lead designer for the New Acropolis Museum, Bernard Tschumi founded Bernard Tschumi Architects in 1983, after winning a competition to design the Parc de la Villette, a 125-acre public park containing dramatic buildings, walkways, bridges and gardens, located at … It is futile to attempt a summation of Derrida’s philosophy, but this text defines it as the impossibility of one meaning in a text, or language in general, due to a deconstruction of language to its foundation, where multiple meanings can be found. Tschumi was in charge of planning, in addition to the design of the follies, and superimposed three ordering systems: the points of the follies, the lines of the paths, and the planes of the sport areas. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Nov 24, 2020 - Bernard Tschumi's theories on architecture, developed in the 1970's through gallery installations, texts and "advertisements" (left) focused on contemporary society's disjunction between use, form and social values, rendering any relationship between the three to be both impossible and obsolete. Although the follies are physically deconstructed, their intended lack of meaning relates his use of the philosophy to its essence, not stylistic applications. Tschumi Park de la Villette Bernard Tschumi ‘s theories on architecture, developed in the 1970’s through gallery installations, texts and “advertisements” (left) focused on contemporary society’s disjunction between use, form and social values, rendering any relationship between the three to be both impossible and obsolete. The follies create one grid of rationality. Tschumi has continued this design agenda in a variety of … Świetne pióro Autora. Year: 1982-1998. Bernard Tschumi won a major design competition in 1982–83 for designing the park. Oct 16, 2017 - Bernard Tschumi's theories on architecture, developed in the 1970's through gallery installations, texts and "advertisements" (left) focused on contemporary society's disjunction between use, form and social values, rendering any relationship between the three to be both impossible and obsolete. Derrida…asked me why architects should be interested in his work, since, he observed, “deconstruction is anti-form, anti-hierarchy, anti-structure-the opposite of all that architecture stands for.” “Precisely for this reason,” was my response. Create a free website or blog at WordPress.com. Parc de la Villette, Bernard Tschumi – New Age Architecture There are thirty five large red follies in the park that are architectural representations of deconstruction. Ironically, in Tschumi’s design for an outdoor park, the landscape has been removed from the picture almost entirely. 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